In terms of thinking about how to have both a beautiful and innocent subject and not let it veer into Kleenex box pretty-ness, this painting is my guide.
Hi Folks, We’re happy to be back. We have exciting texts in the PoP pipeline to share with you this season.
Paul Cadmus’ Coney Island was the first picture I ever saw, in 1939 when I was 5 years old.
Young women’s yearning to regain their lost childhood without losing the sexual freedoms gained in the new independence is perfectly symbolized in Yuskavage’s images.
In terms of thinking about how to have both a beautiful and innocent subject and not let it veer into Kleenex box pretty-ness, this painting is my guide.
Aylon experimented with the idea of creating paintings that revealed themselves slowly, while being changeable and elusive like the sky.
In the realm of artistic marriages, the relationship between painters Linda Griggs and Allen Hansen stands as a testament to the enduring power of creative dialogue and partnership.
That deep maroon/oxide void lures the viewer to step in past the two silver curtains on either side.
A grotesque, elaborate stage. The genius promiscuity of a witch painter, with turpentine instead of blood flowing through her veins.
Pozzo states, “Perspective is but a counterfeiting of the truth, the painter is not obliged to make it seem real from any part, but only from one determinant point only.”
I learned a great deal from Mr. Sloan when I was a student of his at the Pennsylvania Academy of the Fine Arts in Philadelphia.