Archives
Elizabeth Johnson on Celia Reisman
Her aloof houses are challenging, seem to have their backs turned to me, the viewer, and transform me into an interloper.
Lincoln Perry on Frank Auerbach and Marino Marini
This wasn’t a decapitated head, but a self-sufficient object, as autonomous as a meteor.
Kyle Staver on Janice Nowinski
The staccato of the surface gives me the mph of the wind on the beach that day.
Kyle Hackett on Du Bois’ Double Consciousness and the Freedom in Portraiture
I have spent about a decade studying W.E.B Du Bois’ concept of double consciousness: the sense of looking at one’s self through the lens of others.
Barbara Friedman on Merging and the “Extreme Middle”
He makes the “I” out to be “a resting zone … a meeting place.”
Stephen Benenson on Goya and Picasso in Madrid
It was as if the life in them burned up like cellulose melting in a projector.
Sean McDonough on Steve DiBenedetto
The piece is an exquisite consciousness enhancer.
Raoul Middleman on Lockdown with Velazquez and Art as Play
Raoul Middleman, Recent sketch The Pandemic has shut down museums and for the time being we've lost that kind of first hand visceral experience we get looking at art. I already miss the oomph and goop of oil paint escaping from the pores of the canvas: brushed,...
Camilla Fallon on the Intimate in Isolation
I thought of the Intimists… and how they make ordinary objects, including cats, absolutely transcendent.
Maria Porges on Looking for the Lodestar
I have everything I need, except the lodestar that has gotten me this far, in a life that has revolved around art.
Anne Harris on Nowinski and Williams: Looking In and Out
These two artists represent my dilemma: private vs. public, personal vs. political.
Peter Williams on George Floyd and Art Not in Isolation
I never felt in isolation; there was a life I needed to address.