John Dubrow on Titian

I first saw Titian’s Flaying of Marsyas in the winter of 1984. I had moved to Brooklyn from the Bay Area just 5 months before, when I heard the Flaying of Marsyas was at the Royal Academy in London for an exhibition on 16th Century Venetian painting. I quit my job, got a cheap flight and flew over.

Julie Heffernan on Andrea Mantegna

Andrea Mantegna, Parnassus (Mars and Venus), 1497, Tempera and gold on canvas, 63 x 76 inches Andrea Mantegna offers up a grand celebration in Parnassus (Mars and Venus), brilliant in both its design and its conception of an event. It is a fete champetre par...

Lourdes Bernard on Pieter Bruegel

Peter Bruegel, Wine of St. Martin’s Feast Day, 1566 – 1567, Tempera on linen, 148 x 270.5 cm. Restored by El Prado The Wine of Saint Martin’s Day by Pieter Bruegel has preoccupied me since 2009, after coming across it in the fifth Bruegel book I ever...

Richard Haas on Jan van Eyck

The challenge to an artist to think about his or her influences is such a central one that it immediately sends a stream of thoughts about a seemingly endless number of artists through one’s head.

Hanneline Rogeberg on Titian

I grew up seeing the paintings of Munch and minor works of Northern European artists in the flesh, most of them tipping the scale at maudlin/austere.

Jo Smail on Pietro Perugino

Turn left outside the Jules Maidoff Palazzo in Florence†, walk to the first traffic light, turn left and walk up the hill until you reach via della Collona. Go right, soon you will arrive at # 9.

Peter Malone on Rogier Van der Weyden

Rogeir Van der Weyden, The Crucifixion, with the Virgin and Saint John the Evangelist Mourning, c.1460, Oil on panel, 71 x 73 3/8 inches, Philadelphia Museum of Art It was on a trip to the Philadelphia Museum of Art in 1982 that I first encountered what is now my...