A conversation between contemporary artists and their influences across time.
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A conversation between contemporary artists and their influences across time.
These paintings have a sonic effect... They hum with a kind of white noise.
These garden hacks were made for contemplation, a claiming of space from the in-between.
When I saw “The Enamored Mage” in person I was completely transfixed. Painted with heavy impasto, the protrusions of paint gush out of the surface, some following the image, some swelling under it.
These paintings have a sonic effect... They hum with a kind of white noise.
I recognized it right away as a kind of sacred object. Progenitor is a powerful piece that feels at once ancient and technological.
The subject of penitence… became an excuse to paint the very flesh of the world.
Fontana’s work feels perfect in its contradictions: Wanting to be pure and then destroying that purity.
“The figure seems to emerge holographically from the surface like a lost energetic god in a desert of hermetically sealed domesticity.”
Neel’s paintings are a guide to reading through paint. She employs color like a true tetrachromat.
The “mistake” opens up an unexpected world of visual puns and syntactic ambiguity: Maybe it is both a single animal in motion and four separate horses.
Overall there was chaos in his figure, strokes sometimes lining up with the form, and sometimes going against the logic of the body.