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Elizabeth Johnson on 'The Cynnie Paintings' by Carol Saft
Her dark dress shimmers in the chilly bathroom suggesting Joan of Arc, in chain mail, before a Zoom battle.
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Barry Nemett on a Random Trinity
A trio of disparate inspirations that helped me wait out the quarantine as I sheltered in place.
Kyle Staver on Janice Nowinski
The staccato of the surface gives me the mph of the wind on the beach that day.
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Kyle Hackett on Du Bois' Double Consciousness and the Freedom in Portraiture
I have spent about a decade studying W.E.B Du Bois’ concept of double consciousness: the sense of looking at one's self through the lens of others.
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Barbara Friedman on Merging and the “Extreme Middle”
He makes the “I” out to be “a resting zone … a meeting place.”
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Camilla Fallon on the Intimate in Isolation
I thought of the Intimists... and how they make ordinary objects, including cats, absolutely transcendent.
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Maria Porges on Looking for the Lodestar
I have everything I need, except the lodestar that has gotten me this far, in a life that has revolved around art.
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Anne Harris on Nowinski and Williams: Looking In and Out
These two artists represent my dilemma: private vs. public, personal vs. political.
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Peter Williams on George Floyd and Art Not in Isolation
I never felt in isolation; there was a life I needed to address.
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Ellen Harvey on the Disappointed Tourist | Art in Isolation
It was intended as an exploration of nostalgia, to create a conversation across many different types of loss.
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Judy Glantzman on Obituaries and Shadows | Art in Isolation
I have been painting portraits from obituaries on poured plaster/acrylic plaques since the pandemic began.
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Letters from Helen O'Leary | Art in Isolation
While googling 'how to fertilize tree peonies and will they grow in the shade' I for a minute linger on the Washington Post main page and get enough in two seconds to know the world is bad.